INDEPENDENT LABEL · VIRTUAL ARTISTS
MUSIC.
IN THE
WILD.
Imaginary artists. Music to experience.
From the first thrill to the next world, follow the sound.
OPENLY CREATED WITH AI LISTEN WITHOUT AN ACCOUNT
01 / THE CATALOGUE
One album. One journey.
Your next one starts here.
We could not connect to the label.
Try another title or explore all musical worlds.
02 / THE ARTISTS
11 virtual artists.
A world to discover for each one.
THE WORKSHOP OF POSSIBILITIES / AI CREATION03 / OUR DNA
Snow Tiger Records imagines artists, bands and worlds with today’s creative tools, including artificial intelligence. From guitars to machines, every project has its own personality, stories and albums to explore.
Our approach is open and transparent: build fictional worlds and share new music with as many people as possible. Choose a setting, meet its characters, then let the tracks tell you what comes next.
Discover our artists04 / THE LISTENING GUIDE
Your guide to discovering the label
and choosing how you listen.
Snow Tiger Records brings together artistic identities created with artificial intelligence. Every project has its own world, covers and albums. The biographies are fictional stories imagined to accompany musical discovery.
The catalogue distinguishes albums, mood collections and works in progress. Available titles, covers and tracks come from the label’s library. The editorial stories are not biographies of real people.
Meet the 11 worldsFIND YOUR STARTING POINT
Choose a musical mood
to open the right chapter.
YOUR CONNECTION, YOUR CHOICE
Change quality in the player.
Your place in the track is preserved.
Each track plays with its official video: the album cover and label logo. The queue, volume, playback position and repeat remain accessible. The video player stays visible: browse pages, view the queue and add tracks without interrupting the current song. Changing pages also preserves repeat and the timer. Leaving the tab pauses the video.
Open the video settings to choose an available quality for your connection.
Enjoy the track and its visual world.
In the video settings, choose an available quality that suits your connection. The track is prepared from the best matching source file available.
Adapt the video to your current conditions.
YouTube’s Auto mode adjusts quality to your connection. You can also choose a lower video resolution in its settings to reduce data use.
The quality options in YouTube’s menu apply to video. The site does not guarantee a fixed audio bitrate or lossless streaming. Data use varies with the track, browser and player settings.
Open an album to read its introduction, view its details and explore the full track list.
Add an album to your favourites, open the playback queue and explore an artist profile while the music continues.
In the immersive view, animations accompany your discovery. With YouTube, they are decorative and do not measure the audio signal. You can pause them.
05 / LISTENING QUESTIONS
Answers to help you enjoy the catalogue, understand the sources and stay in control of your session.
Featured albums are starting points chosen by the label. On each artist profile, the main button plays a suggested first album. You can then explore the full discography or choose a musical world in the guide.
The artists are virtual creations made with AI. Stories of cities, journeys and characters belong to their artistic fiction. They do not describe careers, concerts or events experienced by real people.
A matching WAV is used to prepare the video when available; otherwise, the available MP3 serves as the source. YouTube then creates its own encodings. Playback therefore does not stream WAV files or provide lossless audio.
Use the YouTube video player settings. Auto mode can adapt playback to your connection; a lower video resolution can reduce data use. These settings do not guarantee a specific audio bitrate.
Check your connection, then try the data-saving quality setting. Keep your listening tab open if several pages are playing at once. After a long pause, press play to renew access to the track. If the site asks you to wait, give it a moment before trying again.
The site does not create a user account. Your favourites and volume stay in your browser. A listening position can be saved for 30 days if you enable that option. When a track starts, the official player contacts YouTube and applies that service’s rules, including any cookies and advertising. It does not load before you select a track.
In “Manage my listening”, end the session to stop the sound and close the video. The separate clear button removes local favourites and settings. A new session starts when you play a track again.
The catalogue is being published gradually. These songs keep their place, title and share link, but playback will become available after publication. Partially available albums play only published tracks. Queues, shuffle and journeys skip tracks that are still pending.
A project may already have cover artwork before its audio is added. This is currently the case for Captain by Thunder Angels. The New Album and Album 2 projects keep their working titles and show the available tracks, with no release date announced.
No. It analyzes only the sound played by the player. The spectrum shows its frequency distribution and the waveform shows how the signal changes. Animations can be turned off and respect your device’s reduced-motion setting.
Share an album or artist link to invite someone to listen on the site. Profiles also offer media kits with images, biographies and promotional text. Original audio files are not offered for download; listening uses the label’s player or the official video on YouTube.
Track 11Lise Sterling · VIRTUAL ARTIST
Phantom Signals · 4:35 · Electronic
Play the official video and continue through the album in the same player.
WITHIN THE ALBUM
Phantom Signals takes place after an interrupted conversation. Phantom Vibrations, Emergency Contact, and Loading Screen trace a familiar wait: for a sign that might still arrive. In Lise Sterling’s fictional world, the silence of an interface is never quite empty.
Unsubscribe, In Reverse, and Archaeology of a Text Thread then turn the gaze towards what we keep, what we reread, and what we try to leave behind. Explore the album as an emotional archive, without mistaking this fiction for a real person’s lived experience.
Enter through Phantom Vibrations and let the sequence of twelve tracks guide the journey.
Explore the full album ↗Text supplied in the project files. The original language is preserved.
Scrolling up through layers of our history
Like digging through digital sediment
Blue bubbles from 2019, what were we thinking?
Gray ones fade like ancient monument
"Good morning" texts fossilized in pixels
Screenshots saved like artifacts in museums
Carbon dating our inside jokes
Back when "forever" wasn't just a meme
Excavating evidence of who we used to be
Brushing dust off memories
Every emoji tells a story
Of our archaeological debris
This is archaeology of a text thread
Digging through the ruins of our conversation
Finding artifacts of what we never said
Between the lines of digital preservation
Searching for the moment when it all went wrong
In timestamps and read receipts all along
Archaeology of a text thread
Unearthing love that's dead
Ancient civilizations of our midnight talks
Hieroglyphics made of heart-eye emojis
Radio carbon dating shows the last "I love you"
Was sent three months before the end, how prophetic
Instagram stories buried like Pompeii
Snapchat memories that self-destruct like empires
Your contact photo, unchanged for years
A relic of when we built these fragile spires
Archaeological dig through notification sounds
Layers of "typing..." that never came around
Every deleted message is a mystery
Lost to our romantic history
This is archaeology of a text thread
Digging through the ruins of our conversation
Finding artifacts of what we never said
Between the lines of digital preservation
Searching for the moment when it all went wrong
In timestamps and read receipts all along
Archaeology of a text thread
Unearthing love that's dead
Maybe future scientists will study us
Like we study ancient Rome
Wonder how we communicated
Through these glowing telephone bones
Will they understand our language?
Autocorrect and typing mistakes?
Or will they think we were just broken
From all the hearts that we would break?
I found the smoking gun
In a message marked as "read"
Three dots that never came
Where words should have been said